I don't paint what I see;

I paint what I feel.

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Michaela Perdochova

Abstract Expressionist | Illustrator

When I stand before a blank canvas, I’m not seeking to replicate reality but to create a new one: a reality where emotions take physical form, where abstract becomes more truthful than representation.

My process is intuitive, layered, and often surprising. I begin with feeling, then follow where the color leads. Sometimes gentle, sometimes fierce. Always authentic.

My work exists in the space between memory and imagination, where colors speak a language more honest than words. Each canvas becomes a conversation.

With myself,
With the viewer,
With the world, we navigate together…

Michaela Perdochova

Abstract Expressionist | Illustrator

When I stand before a blank canvas, I’m not seeking to replicate reality but to create a new one: a reality where emotions take physical form, where abstract becomes more truthful than representation.

My process is intuitive, layered, and often surprising. I begin with feeling, then follow where the color leads. Sometimes gentle, sometimes fierce. Always authentic.

The pandemic reshaped my artistic lens, pushing me to explore isolation, urban landscapes, and the weight of global events. “That Man” emerged from this period, a stark confrontation with war’s realities.

Yet even in darkness, I find myself drawn to movement, to the interplay of chaos and harmony that defines our existence.

Artistic Styles & Techniques

Medium and Approach

Working primarily in acrylic on canvas, my style falls within abstract expressionism while occasionally embracing mixed media and collage. I’m drawn to techniques that allow for both spontaneity and intention. Building layers that reveal and conceal, creating textures that invite touch, and exploring color relationships that evoke emotional response.

Creative Process

My paintings often begin with intuitive mark-making, allowing subconscious emotions to guide my hand. As layers build, I work in a dialogue with the emerging composition, listening as much as directing.

While “2 Galaxies” embraces minimalism and subtle tonality, others like “Hansel et Gretel” explode with dynamic energy and bold color contrasts.

Vibrational Art Theory

Works like “On The Shore Of A Lake” are created at specific frequencies (432Hz) to enhance their resonance with viewers.

Whether exploring the chaos of “Farmer’s Animals” or the haunting spectral figures in “That Man,” my technique serves the emotional truth of each piece.

Artistic Styles & Techniques

Working primarily in acrylic on canvas, my style falls within abstract expressionism while occasionally embracing mixed media and collage. I’m drawn to techniques that allow for both spontaneity and intention. Building layers that reveal and conceal, creating textures that invite touch, and exploring color relationships that evoke emotional response.

Creative Process

My paintings often begin with intuitive mark-making, allowing subconscious emotions to guide my hand. As layers build, I work in a dialogue with the emerging composition, listening as much as directing. While “2 Galaxies” embraces minimalism and subtle tonality, others like “Hansel et Gretel” explode with dynamic energy and bold color contrasts.

Vibrational Art Theory

Works like “On The Shore Of A Lake” are created at specific frequencies (432Hz) to enhance their resonance with viewers. Whether exploring the chaos of “Farmer’s Animals” or the haunting spectral figures in “That Man,” my technique serves the emotional truth of each piece.

Francesca Simonson

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